The Backend
A great James Gunn movie, but an underwhelming Superman film. It might be enough to kickstart the new DC Universe — if Gunn doesn’t leave his fingerprints all over it, especially in his role as head of the studio.
| Storytelling | 🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Acting | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
| Storytelling | 🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Acting | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷🐷 |
| Visuals | 🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
Nope! Still pretty bad – on so many levels.
After the pleasant surprise that was «Wonder Woman», the DC Extended Universe we all learnt to frown upon is back in all its glorious, messy, unfunny awfulness.
And this time it feels even more like a bad video game. Not a total clusterfuck like «Batman v Superman», but pretty damn close.
Sad.