The Backend
A great James Gunn movie, but an underwhelming Superman film. It might be enough to kickstart the new DC Universe — if Gunn doesn’t leave his fingerprints all over it, especially in his role as head of the studio.
| Storytelling | 🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Acting | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
A world where Mark Gatiss’ and Steven Moffat’s Dracula (2020) exists does not need such an unironically forced adaptation like this uneven paced snoozefest that simultaneously tries so hard to be and not to be Bram Stoker’s Dracula (1992).
#NotMyFeratu
| Storytelling | 🐷 |
| Characters | 🐷🐷 |
| Acting | 🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷 |
| Humour | 🐷 |
| Visuals | 🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷 |
| Originality | 🐷🐷 |
| Entertainment value | 🐷🐷 |
| Production value | 🐷🐷🐷 |
| Satisfaction | 🐷🐷 |
Stupidly fucking awesome!
