The Backend
Tron: Electric Boogaloo – all show, no substance
| Storytelling | 🐷🐷 |
| Characters | 🐷🐷 |
| Acting | 🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷🐷🐷 |
| Humour | 🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷 |
| Entertainment value | 🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷 |
It’s like P.T.A. cracked some kind of code: «One Battle After Another» is neither the movie I wanted nor the film I expected – but an experience I needed.
| Storytelling | 🐷🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷🐷🐷 |
| Acting | 🐷🐷🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷🐷 |
Compared to Marvel’s output over the past few years, The Fantastic Four: First Steps feels like a ten (which is a five on my scale). But let’s not get ahead of ourselves. It’s a solid, very safe movie that doesn’t take risks – but it’s undeniably gorgeous to look at and listen to. Sometimes, that has to be enough.
This movie had one job: not to suck – and to get the MCU back on track before its swan song and eventual reboot. And honestly? It delivered better than expected.
Funny I wrote «no risk» – as if featuring a giant purple alien (again?!) wasn’t a bold choice in an earlier depiction of Marvel’s First Family.
Thanks for that. I guess. Good Job.
| Storytelling | 🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Acting | 🐷🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
A great James Gunn movie, but an underwhelming Superman film. It might be enough to kickstart the new DC Universe — if Gunn doesn’t leave his fingerprints all over it, especially in his role as head of the studio.
| Storytelling | 🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Acting | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
One… last… time.
| Storytelling | 🐷🐷🐷 |
| Characters | 🐷🐷 |
| Acting | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷 |
| Humour | 🐷🐷 |
| Visuals | 🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷 |
| Originality | 🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷 |
Will Marvel’s current Phase Meh ever end?
| Storytelling | 🐷 |
| Characters | 🐷🐷 |
| Acting | 🐷🐷🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷 |
| Humour | 🐷🐷 |
| Visuals | 🐷🐷🐷 |
| Music and Sound | 🐷🐷 |
| Originality | 🐷 |
| Entertainment value | 🐷🐷 |
| Production value | 🐷🐷 |
| Satisfaction | 🐷🐷 |
A world where Mark Gatiss’ and Steven Moffat’s Dracula (2020) exists does not need such an unironically forced adaptation like this uneven paced snoozefest that simultaneously tries so hard to be and not to be Bram Stoker’s Dracula (1992).
#NotMyFeratu
| Storytelling | 🐷 |
| Characters | 🐷🐷 |
| Acting | 🐷🐷 |
| Drama, Baby! | 🐷🐷 |
| Fun | 🐷 |
| Humour | 🐷 |
| Visuals | 🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷 |
| Originality | 🐷🐷 |
| Entertainment value | 🐷🐷 |
| Production value | 🐷🐷🐷 |
| Satisfaction | 🐷🐷 |
| Storytelling | 🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷🐷 |
| Acting | 🐷🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷 |
| Humour | 🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷🐷 |
| Originality | 🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
| Storytelling | 🐷🐷🐷 |
| Characters | 🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷🐷🐷 |
| Visuals | 🐷🐷🐷 |
| Originality | 🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |
Not just MAD – this movie is batshit CRAZY🤪
Maybe a bit long, though⏳
| Storytelling | 🐷🐷🐷🐷 |
| Characters | 🐷🐷🐷🐷 |
| Acting | 🐷🐷🐷🐷 |
| Drama, Baby! | 🐷🐷🐷🐷 |
| Fun | 🐷🐷🐷🐷🐷 |
| Humour | 🐷🐷🐷🐷 |
| Visuals | 🐷🐷🐷🐷🐷 |
| Music and Sound | 🐷🐷🐷🐷 |
| Originality | 🐷🐷🐷🐷🐷 |
| Entertainment value | 🐷🐷🐷🐷🐷 |
| Production value | 🐷🐷🐷🐷🐷 |
| Satisfaction | 🐷🐷🐷🐷 |