The Post

Rating: 2.5

«Hit the big story hard!» Spielberg’s latest surely isn’t one of his greatest achievements but solid enough to get out of the cold weather and a surprisingly relevant experience given today’s state of the media industry and the current political climate at that.

Especially interesting to see his depiction of how news were made before distractions like computers, internet, social media (and iFrames) got so damn important and complicated.

If anything, «The Post» excels as an inspiring reminder that journalism has to be about more than clicks, user engagement and the occasional Raclette-Schieber.

(Shame though I still couldn’t find a theater playing «Three Billboards…». The Oscars are getting awfully close now and I still haven’t found my favourite).

The Shape of Boring

Rating: 1.5

I can’t even… What the fuck…? and why did they…? how did this even…? And what was the fu**ing point?

Just leave me the fu!* alone. FU*K! I could have spent the last two hours so much better,… like going to the dentist,… and let him (or her, no bias there) piss in my mouth.

No – I did not enjoy «The Shape of Water».

Yes – After seeing this pretentious piece of garbage, today the world has lost the last straight man to have ever seen the appeal in musical numbers, even defended it.

No more.

N-o m-o-r-e.

 

Black Panther

Rating: 3

I agree that the success of «Black Panther» (and «Get out», for that matter) is an important step in the right direction for an industry (as well as an audience) that has to redefine itself to stay relevant and acceptable today and in the years to come. Way to go!

But entertaining as it is and giving the genre a new, interesting spin once again, for a Marvel movie, the Panther seems tame, on the weaker side of things. (But I guess I’m not the main audience they where going for anyway).

Happy though that it’s my beloved Marvel Studios, now ten years in the run, that are doing the right thing (too).

This in mind, I’m looking forward to a strong female protagonist in «Captain Marvel», hoping the makers stay focused and won’t overdo it because of the ongoing #meToo discussion. (Something I won’t hold my breath for at this year’s Oscar celebrations. Given the circumstances and having seen the nominations livestream, I fear the Awards show will present itself chumming and even more unpalatable than usual).

Thor: Ragnarok

Rating: 3.5

What a gem: «Thor: Ragnarok» turns out to be a colorful piece of unexpected light-hearted delightfulness oozing with forgettable stupidity and fun, shining in all the colors of a disco-dripping CGI-rainbow with some delicious Goldblum on top.

Binge-worthy series in October 2017

After Marvel’s disastrous «Iron Fist» I must say Marvel’s latest Netflix series «The Defenders» surely was not the redemption all the disappointed fans had been hoping for. And since I haven’t even bothered to download «Inhumans» I thought I’d try to stay positive and share some of my latest «discoveries» on Netflix:

So let’s start there, «Star Trek: Discovery». Is it any good? I’m not sure yet. I was quite disappointed after the first two episodes: No sympathetic character, too much exposition talk and even more Klingon babble. But I rather enjoyed episode 4. Jason Isaacs’ Captain Lorca might just salvage this property from sinking. I’ll wait and see…

Rating: 3


Now to the really good stuff: «Mindhunter» might be more form than function but I enjoyed the hell out of this crime-drama set in the seventies following two FBI agents in the early days of criminal profiling.

Maybe it’s the theme of serial killers that got to me. Even David Fincher’s (who produced and directed some of the episodes)  «Zodiac» was mostly talking heads and even more shots of people talking on the phone, and I still loved it a lot. It must be Fincher’s style that I just cannot get enough of. «Mindhunter’s» cinematography, sound, music, dialogue and acting are just phenomenal, even though not really that much happens story-wise. 

Rating: 4.5


Then, «The Good Place» got me by surprise. I didn’t know anything about it and I recommend to watch it in the same way. It’s really funny, thought provoking, clever and… really funny.

I might have known that I’d like «The Good Place» because it’s by Michael Schur, the same guy that created «Brooklyn Nine-Nine» another show I just binge-watch the hell out of. Just because it’s funny, clever and, like «The Good Place» damn enjoyable without having the need to get «dark» as so many series nowadays do (which is not a bad thing per se. I love the good ones like «Breaking Bad» or «Mad Men» but it’s nice to see, that a good series can be light AND relevant today.) 

Rating: 4.5


Let’s get over here to some adult animation entertainment (not what you think). I’ve seen Nick Kroll pop up a lot in the last few years in this or that movie and in even more late night talkshows. But the Netflix version of the brilliant Broadway show «Oh, Hello», his collaboration with comedian John Mulaney made me curious about his Netflix show «Big Mouth» . This pretty dark, naughty, but somehow true and heartwarming series where “Teenage friends find their lives upended by the wonders and horrors of puberty”  (IMDb) does the trick and entertained me a lot with some let’s say uncomfortable themes. 

Rating: 3


Talking about «dark»: It took much too long for me to finally take a gander at «Rick and Morty». Mostly because I couldn’t believe how a show seemingly drawn this crude could be that ingenious and so exactly hit my pleasure center. It’s deep, it’s mean, it’s funny and it’s full of pop-culture and science references. It’s «The Simpsons» and «South Park» on steroids… or on LSD… probably both.

And it’s co-created by Dan Harmon, the creator of «Community», and it shows… so there’s that. 

Rating: 5

Blade Runner 2049

Rating: 4.5

Not too bad, quite good actually. In no way, shape or form as iconic as the original, but one has to admire how «Blade Runner 2049» tries to recreate the character and look and feel of its predecessor and how it does a helluva job in doing so (the cinematography and production design are just wonderful).

The pacing gets a little slow in the second half but I might just prefer it this way in contrast to the restless editing and convoluted storytelling we get too much of these days in this genre.

Valerian and the City of a Thousand Planets

Rating: 1

Just another very gorgeous looking, very soulless version of how Luc Besson thinks movies are made. I more and more wonder how he managed to create «Léon» where he still seemed to care about characters and storytelling (I think, at least; haven’t watched it in ages).

Oats Studios

Oats Studios

Rating: 4

However you may feel about Neill Blomkamp’s «Chappie»  (I know I was disappointed as hell). His new project creating experimental short films is absolutely worth a look.

Drop whatever you’re doing right and now check out the studio’s phenomenal work on https://www.youtube.com/user/OatsStudios.

Warning: Not for the faint of heart!